photos by mohammad reza domiri ganji in iran of: (1) the dome of the seyyed mosque in isfahan; (2,8) the nasīr al mulk mosque, or pink mosque, in shiraz; (3,4) the vakil mosque in shiraz; (5) the ceiling of the fifth floor of ali qapu in isfahan; (6,10) the vakil bathhouse in shiraz; (7) the imam mosque in isfahan; (9) the jame mosque of yazd

holy shit.

(via jackbenjamins)

@7 hours ago with 51805 notes

(Source: beben-eleben, via longwayfromla)

@3 weeks ago with 485208 notes


the oak trees of blenhheim palace, which have stood for over three centuries, photographed by simon norfolk.

(via false-catharsis)

@1 month ago with 3492 notes
@1 month ago with 10274 notes

The sun crawls over the horizon by Jan Kooreman


The sun crawls over the horizon by Jan Kooreman

(via longwayfromla)

@1 month ago with 82148 notes


Breathing underwater, Matt Story


@1 week ago with 1654 notes

Leigh M. McCloskey | Summer Solstice vs Winter Solstice

(Source: the-king-of-ponytails, via spethanienoonerz)

@3 weeks ago with 25177 notes


The Interiors of Wes Anderson’ in the latest issue of Apartamento #13

“You could compare Wes Anderson to an interior decorator,”says  Apartamento’s Editor-in-Chief Marco Velardi of today’s enchanting series, taken from the bi-annual title’s latest issue. With the director and screenwriter’s private house strictly off limits, the magazine traces the meticulously considered art of set design in his filmography: miniature brownstone apartments, nostalgic color schemes and embroidered and elaborate costumes. “I always say that a picture of someone’s home tells you a lot more about that person than any portrait possibly can,” muses Nacho Alegre, director and co-founder of Apartamento. “I imagine in a movie the time you have to describe a character is limited, so using the interiors to do so probably becomes something of a necessity.” An intricate visual language has become Anderson’s trademark; in his hands, set design becomes both a storytelling device and character trope, from his shot-on-a-shoestring debut, Bottle Rocket, to his latest saccharine fantasia, The Grand Budapest Hotel. Velardi adds: “Ultimately, if you look at his work there are a lot of interiors, with very peculiar and very precise work on the spaces and what people wear; Wes is passionate about every single detail, and that’s why it’s fascinating for us.”  

h/t nowness

(Source: vmagazine, via baberhamxlincoln)

@1 month ago with 6725 notes


Olivia Erlanger - Material Studies II: A House Falls Apart (2014)

(via false-catharsis)

@1 month ago with 414 notes
@1 month ago with 6631 notes